Calendar Girls Adelaide

THE PLAY Calendar Girls is a 2003 comedy film directed by Nigel Cole. Produced by Buena Vista International and Touchstone Pictures, it features a screenplay by Tim Firth and Juliette Towhidi based on a true story of a group of Yorkshire women who produced a nude calendar to raise money for Leukaemia Research under the auspices of the Women's Institutes in April 1999.Starring an ensemble cast headed by Helen Mirren and Julie Walters, with Linda Bassett, Annette Crosbie, Celia Imrie, Penelope Wilton, and Geraldine James playing key supporting roles, the film garnered generally positive reactions by film critics, and at a budget of $10 million it became a major success, eventually grossing $96,000,000 worldwide following its theatrical release in the United States. In addition, the picture was awarded by the British Comedy Award for Best Comedy Film, and spawned ALFS Award Empire Award, Satellite Award and Golden Globe nominations for Mirren and Walters respectively.In 2008, the writer Tim Firth adapted it into a stage play and has played around the world, now it comes to Adelaide. THE STORY THAT INSPIRED IT It is bitterly ironic that the story of the Calendar Girls, that has generated so much pleasure and enjoyment, should have opened with the kind of shattering news which we all dread. John Baker, an apparently fit and healthy 53 year-old “who’d never had a day’s illness in his life” according to his wife, Angela, was diagnosed with Non-Hodgkin’s Lymphoma in February 1998. John’s many friends in the close-knit picture postcard village of Cracoe were shell-shocked and they rallied round Angela and her family, determined to do something positive to help.“John was the first of our group to contract a serious illness”, recalls Angela. ‘We were all members of the WI and the subject of the WI calendar would come round every year. We were talking about it one night over supper, before John became ill, and I remember one very funny half hour when Tricia suggested that we do our own calendar in the style of the Pirelli one and we all discussed which months we would be. So we went back to the idea, thinking that it would raise funds for the Leukaemia Research Fund and entertain John at the same time. Not that he believed we would do anything about it. ‘You’re all talk’, he’d say. ‘It will never happen.’” In the event, the rapid decline in John’s health – he died only five months after receiving the diagnosis – added to the sense of unreality which Angela felt. Then one day, a few weeks after the funeral, she received a visitor. ‘There was Tricia, armed with her clipboard. “Come on”, she said. “Are we going to do this calendar – or not? Even if we don’t sell any, at least we’ll have tried to do something.”’The whole village wanted to do its bit and Tricia and Angela recruited volunteers from the WI – one lady who “only came to the meetings if there was a good speaker” found herself enlisted. They had originally planned a modest print run for the calendar of a mere 1000 but the printer pointed out that this was not a financially viable proposition and he persuaded them to increase the order to 3000. Donations from individuals and local businesses took care of the printing costs.All that remained was for 11 good women and true to bare all in a noble cause. Accordingly, on a dark October night in 1998, ten shadowy figures arrived at the home of local artist Terry Logan and his wife Lynda, who was due to pose as Miss July. Although Terry was better known as a landscape painter, he’d worked in advertising for J Walter Thompson in Canada and therefore he knew precisely what was required. “I’d set up everything in advance and had worked out what I wanted from each photograph. I tried to match each lady to her strengths. Angela played the piano, for example, and so I shot her at a piano. If the lady had good legs, I made sure that we saw her legs. At first the ladies stood around in their dressing-gowns, drinking red wine and I knew that if I waited any longer, some of them would try to bottle out. So finally I said to them. ‘This is it, ladies, let’s get to work.’”Angela sums up the extraordinary story of the Calendar Girls: “I think that we’ve all coped really well with what has happened. We’ve done the most amazing things but we’ve kept our feet on the ground and we’ve never forgotten why we did what we did. We didn’t do the calendar because we wanted to be famous but because we wanted to raise money in John’s memory. It has been the most marvellous experience.”